Please transforms several electric mopeds into a makeshift patrol system. Drawn from the memory of a public demonstration, the work replaces human officers with small motorized vehicles that move as if they were carrying out an order.
The mopeds do not become realistic police bodies. Instead, their repeated movement creates a fragile and absurd version of public order. Power appears through rhythm, direction, and the expectation that something is being controlled.
By using ordinary machines to imitate police movement, Yú separates power from the body that usually represents it. What remains is a choreography of control, where public order is reduced to motion, sound, and expectation.
